The Shure SM7B and the Electro-Voice RE20 are two of the most popular microphones used for radio, podcasting, and voiceover. Best Robot Mop 2020 – Buyer’s Guide and Robot Mop Reviews, Best Battery Testers For 2020 – Buyer’s Guide and Reviews, Best Portable TV 2020 – Buyer’s Guide and Portable TV Review, How to Convert an MP4 to MP3 Using Windows Media Player, Best Pop Filters For 2020 – Buyer’s Guide and Pop Filter Reviews, Best Waterproof Drone For 2020 – Buyer’s Guide and Drone Reviews, Best Graphing Calculators For 2020 – Buyer’s Guide and Reviews, Slightly more expensive than similar products. SUNMON NT1-A Windscreen Pop Filter Fits for Rode NT1-A, NT2-A, NT1000, NT2000, NTK, K2 and Pr… 5 Reviews. It has a nice, firm grip and doesn’t slip or fall off (assuming you attached it properly), plus since it’s adjustable, you can connect to any type of microphone as long as it has a diameter from 45mm to 68mm. The email address you entered was an invalid email. Prevents Vocal Plosives and Breath Noise. Make sure you take a bit of time to measure your microphone, especially if you’re planning on buying one of the foam cover style filters. The upside of this material is that it’s very lightweight – just 0.6 ounces; you can throw it into your kit bag and not even feel it. This is a very useful product since most similar filters are too small and have a tendency to tear when stretched too far. All things considered, this is one of the very best inexpensive pop filters around. It does everything you’d expect it to – blocks unwanted noises and covers just about any mic you’ll ever use. If you’re interested in finding out more about some of the different styles, there’s a great little guide here which goes into it more fully. Have you ever seen a video online or listened to a recording of someone speaking where their speech was punctuated with what sounds like a gunshot? Now that you have a feel for the types of products we have in store, let’s take a more in-depth look at each, evaluating their strengths and weaknesses as we go. We’ve found filters to fit every need and budget, so get your microphone set up how you like it – we have the feeling you’ll be utilizing it soon. Well, surprisingly, this product only costs around 10 USD so it’s a very economical way to upgrade your recording setup. We’ve put together a short guide to advise you on a few essential things to look out for before you spend any money on one. Of all the pop filters in the world… The Nady MPF-6 is easily the best-selling, and most widely know… Mostly because it’s so damn cheap. : Elec. Learn more here. It’s an incredibly versatile little pop filter that fits just about anything and uses a three-layered system to produce the clearest results. We hope that this article has been useful, and if so, we’d like to ask you to leave a rating or a comment. The BSW RePop is the ultimate pop filter - made specifically for the Electro-Voice RE20 microphone. Show More. Serv. The other main drawback of this product is its price. Despite its reasonable thickness, it has good airflow so you don’t have to raise your voice when speaking – it’ll hear you just fine if you use your normal voice. ... America's Best Online Shops-Newsweek. So, for a highly efficient, lightweight, sturdy, and versatile pop filter, you’d expect to pay top dollar, right? This is a brief overview, but just wait – the real meat of this article is yet to come. Enter new zip code to refresh estimated delivery time. All other standard return policy conditions apply. Whilst singers will benefit from them, they can likely get by with a less expensive model (for a while, at least), whereas people who’d use their microphone for speech are more likely to see better results from a higher-end filter. There’s a pop filter for everyone on this list, but we do have to pick one which is the best overall. As such, it’s very light (just 8 ounces) and relatively sturdy, although it does have trouble supporting the filter at certain angles. Fine mesh metal screen diminishes undesirable P-Popping while keeping the integrity of the hi-end frequency response. Costing around 3 USD, this product is a very cost-effective way of getting the most from your low to mid-end microphone, and as an added bonus it comes in red or blue if the standard black doesn’t appeal to you. This model uses a 6” double layer of mesh to minimize the impact of any plosive sound it encounters and features a gooseneck style holder that is both sturdy and flexible. Whilst there are a number of reasons as to why this might be happening, the most common is that they haven’t used a pop filter with their microphone and every time they say a word with a hard stop (like “crack”, “stop” or “bat”), the force of their voice hits the microphone head-on, causing that peculiar noise. [Ken explains – in probably a few more paragraphs than necessary – the answer to the above question. When you purchase this model, you don’t just get a pop filter. It doesn’t have any of the fancy bells and whistles that more expensive models do, but it gets the job done. It uses three separate layers for the best results. The choice of colours and stretchy material only add to its appeal and although professionals may find it a tad underwhelming, for people looking for a quick and easy improvement to their audio, the On Stage Foam Ball-Type Mic Windscreen will be an excellent investment. This product attaches to your microphone using a combination of elastic bands and an inner rubber ring to create friction between it and the mic head. See B&H's vast selection of Pop & Reflection Filters from top brands like Auray, MXL, On-Stage and sE Electronics, all at unbelievable prices. The mount can be freely rotated around the mic stand and retightened to get the perfect angle, and thanks to the 13” flexible gooseneck connector, it can be bent or adjusted as needed. It might be a little disheveled on arrival, but once it’s out of the box for a day or two it should start to regain its original shape. Speed up future orders, see order history, create wish lists, and more. & Home App. The more layers your filter has, the more pronounced the dampening effect of the filter. This is because plosive sounds are much more common in everyday conversation – if this sounds like you, we’d recommend a product with at least two layers. As well as these two, this product fits most other mics, all the way up to 2.5” in diameter. This one costs less than 10 USD and holds up very well. This doesn’t have any effect on the quality of your audio but might look a little untidy, so if this kind of thing bothers you, you might be better off with a more specialized filter. In fact, this is a pretty simple, medium density foam filter, so we’re not sure why this label was applied, but it’s nice to have some clarification. © 2000-2020 B & H Foto & Electronics Corp. 420 9th Ave, New York, NY 10001, Absorbs Unwanted Room Noise & Reflections. Deal. Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. If you have a professional setup, you’ll likely want to spend a little more, but for general use, this will get the job done. Not responsible for typographical or illustrative errors. For most people, though, this will do the job nicely. Ultimately, there are loads of different kinds of filters available, and choosing the best pop filter for vocals is different from choosing one for podcasts – which is best is entirely dependent on your needs. Designed for the EV RE20 and RE320, the On-Stage Front Address Pop Filter helps mitigate plosives and breath noise during vocal recording and broadcast applications such as voiceover work, radio interviews, and podcasts. It was a difficult decision, but we’ve decided that the Sywon Metal Mesh Pop Filter comes out on top this time. If you can look past its slightly higher price tag, you’ll find that there’s a lot to like about this product. Key Features. Even the largest microphones can have a filter that attaches to the stand, although some depend on a particular microphone diameter or shape. This filter works best when mounted above the mic and hanging down. Namely, the shape of your microphone and the kind of setup you have. Please enable javascript for your best B&H experience. If you’re not happy with it, you have three years to return it – no harm, no foul, no questions asked. The first in line is also the least expensive, the On Stage Foam Ball-Type Mic Windscreen. Every piece of feedback we receive helps us tailor our content to suit you, so we’d really appreciate it. Together, these eliminate everything that isn’t intentional from your finished audio and decrease the amount of post-processing work that needs to be done. Consider how you plan on using your microphone. It protects against not just forceful pronunciation but also any saliva expelled by that one person who always gets way too into their favorite song. Scratch the surface, though, and you’ll come to realize there is as much depth to them as there is to the microphones themselves. The type of filter you can use is dictated by a couple of characteristics. For large microphones, you need the VocalBeat. 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