I got mine yesterday and was immediately impressed by it’s solid and beautiful construction! For recording and mixing engineers, the greatest challenge will always be to capture and transform disparate 2-D elements into an engrossing 3-D vision that elicits the same raw emotions and compelling vibrance as the live performance. Also a smooth red silk mode on vocals worked great. … Played a bit around with the silk modes and pointed out some sweet spots. … The comp section is one of the best I’ve ever heard! Additionally, a 48V Phantom Power switch, Phase Inversion, Signal Present indicator and a Mute switch are included. Thank you Mr. Neve for paving the way to a brighter, smarter future and for conceiving this most ultimate of audio witchery. (for instance, a voice-over keying the compressor to duck a background music track). One thing about us Neve MBP owners that I’ve found we all have in common is that we don’t really tell people we own one in our studios. Like the Portico 5043, the VCA compressor has a choice of Feed-Forward / Feed-Back modes, either providing a transparent modern response (FF) or a smoother, more vintage response (FB). Trim continuously adjustable from –6dB to +6dBMaximum Output Level:Maximum output from 20 Hz to 40 kHz is +25 dBu. Tunable with the HMF EQ bandwidth reduction, the multi-variable De-Esser can be used to soften harsh sibilance in voices and instruments, A parallel matrix providing continuously variable control to mix compressed and uncompressed signals, Changes the VCA Detection from a forward feed design (fast, more accurate attack & release) to a feed back design (smoother, more musical response), Overrides the attack setting, using a combination of peak and RMS detection set below 1ms, External compressor side chain send and return on 2 x TRS jacks. In the second example, he uses the compressors on two channels in link mode with an external sidechain HPF as well as the EQ to accentuate the low-end and add polish for mastering a rock track by Ryan D White (www.ryandwhite.com). This baby is so flexible and smooth,… it’s just a dream!”, “5/5 Stars: Stunning signal quality. The Portico II Channel was created using the high voltage topologies from the 5088 to create a channel strip with the ultimate sound quality. I bought it for that use, but I found myself using the piece much more than expected.” – Michael Romanowski, “The most surprising feature, and one that I didn’t think I would use at all, is the ability to adjust the width or depth of selected frequency ranges…I have found it to be an excellent tool to help polish challengingly difficult songs.” – Michael Romanowski. Primary Gain and Trim controls are fully operational. The comp section is one of the best I’ve ever heard! The Low Shelf has an independent engage switch, Classic Peak / Accelerated Shelf selection, with +/- 12dB level adjustment, and selectable turnover frequencies of 35, 60, 100, and 220 Hz. The texture section can vary from barely audible to dramatic, all controlled by a single knob. +/-15dB adjustment from 700Hz to 14KHz, with a continuous “Q” from .7 to 5., engaged with the MF switch. … Also a smooth red silk mode on vocals worked great. A “Line” switch selects the independent Line XLR non-reactive input circuit that includes the HPF and Level Trim controls. The Portico II’s compressor section is exceptionally flexible. The EQ topologies in the 4-Band Equalizer of the Portico II combine the best-loved sound of several classic designs, but are also capable of extremely fine surgical adjustments as well as dramatic boosts or cuts. Intuitive layout. Even subtle moves are extremely noticeable. I haven’t been able to distort it, and I’ve tried”. … What I really like about the compressor, is that even with the blend wet, I can still make it sound energetic and powerful even when I’m getting around 12dB in reduction. With its simple yet powerful topologies and extensive feature set, every element of the Portico II: Channel is geared towards empowering recording artists to realize these visions. Building on the “Silk” mode found in the original Portico Series mic preamplifiers, Texture is designed to adjust the actual amount of musical harmonic content from the source material – in effect, providing countless tonal options in one device. I haven’t been able to distort it, and I’ve tried””, Francisco Castro (Diffusion Magazine (en español)), Portico II Channel: Mic Pre / EQ / Compressor / Texture, “The EQ is extremely responsive. Continuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of the channel. One of the key developments in the Portico II Channel is the new Texture section. This may seem generous even for those with pet bats, but it makes sense. The compressor and limiter in concert provide clean, transparent, musical and precise dynamics control along with lots of other features that let you change the sound more drastically when necessary. Along with FF/FB modes, there are also 1:1 to 40:1 ratio controls and threshold from -30dBu to +20dBu, together with Attack from 20 to 75ms (.1 ms in Peak mode), Release from 100ms to 2.5s, and Make-Up Gain from 0 to 20dB. Francisco Castro (Diffusion Magazine (en español)). @ 1kHz, +20 dBu output: Better than 0.002%As above, Silk Engaged: Better than 0.2% Second Harmonic@ 20Hz, +20 dBu out Better than 0.004%@ 20Hz, +20 dBu out Better than 0.020%IM Distortion: Better than 0.002%Slew rate Better than 4 V/uS, Frequency: Continuously Variable from 20 Hz to 250HzSlope: 12 dB/Octave Bessel. The Neve legacy lives on with this combination of his time-proven circuit topologies and newly designed processors for these modern times. The red “Silk +” mode provides a different level of control, enhancing harmonics generated by the source material’s high-mid and high frequencies, adding a harmonic “sparkle” to your original signal. A transient-optimized HPF variable from 20-250Hz is included. It’s the sound of Neve but for the modern age. Even subtle moves are extremely noticeable. A link switch is provided to link the compressor action with that of an additional connected Portico II Channel for stereo processing. For stereo processing classic compressor and we don ’ t want to let that secret!! Of the Channel vintage bass some extra bottom dynamic response you Mr. Neve for paving the way a! Engineer to fine tune the new De-Esser circuit but it makes sense, voice-over... 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